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CRACKING THE DA VINCI CODE
Por Angel - Tuesday, May. 16, 2006 at 4:05 PM
angelmaria1@mixmail.com

Adjunto genial librito, facil de leer, en formato de preguntas y respuestas que proporciona unas rapidas, bien investigadas y profundas respuestas que desenmascaran los puntos mas problematicos del libro, y dentro de nada pelicula, "El Codigo Da Vinci". Esta en ingles, el autor es Jimmy Akin y lo distribuye "Catholic Truth Society". Espero que os ayude tanto como a mi. Pasa el documento a quien creas que le pueda interesar y vamos a sacar del limon limonada!

THE DA VINCI CODE: FACT OR FICTION?

What is The Da Vinci Code?

The Da Vinci Code is a novel. Its publisher, Doubleday, released it with much fanfare in March 2003 and heavily promoted it. As a result, it debuted at No. 1 on the New York Times bestseller list and has remained on it since, selling millions of copies. The paperback edition has been on the UK bestseller list since March 2004. The publisher claims that it is “the bestselling adult novel of all time within a one-year period”.
So popular has The Da Vinci Code become that it has created a marketing boom for books related to the novel, and it has become the subject of a major motion picture.

What is The Da Vinci Code About?

It is a thriller story involving secret societies, conspiracies, the Catholic Church, and the fictional “truth” about Jesus Christ. Here is the author’s own summary:

A renowned Harvard symbologist is summoned to the Louvre Museum to examine a series of cryptic symbols relating to Da Vinci’s artwork. In decrypting the code, he uncovers the key to one of the greatest mysteries of all time… and he becomes a hunted man.1

During the course of the novel it is alleged that the Catholic Church is perpetuating a major, centuries-long conspiracy to hide the “truth” about Jesus Christ from the public, and it or its agents are willing to stop at nothing, including murder, to do so.

What does Leonardo da Vinci have to do with the story?

Da Vinci is portrayed as a former head of the conspiracy guarding the “truth” about Jesus Christ. In the novel he is said to have planted various codes and secret symbols in his work, particularly in his painting of the Last Supper. According to the novel, this painting depicts Jesus’ alleged wife, Mary Magdalene, next to him as a symbol of her prominence in his true teaching. In reality, the figure that Dan Brown identifies as Mary Magdalene is John the Evangelist, who traditionally has been regarded as the youngest of the apostles and so is often pictured in Christian art without a beard.

Why should a Catholic be concerned about the novel?

Although a work of fiction, the book claims to be meticulously researched, and it goes to great lengths to convey the impression that it is based on fact. It even has a “fact” page at the front of the book underscoring the claim of factuality for particular ideas within the book. As a result, many readers – both Catholic and non-Catholic – are taking the book’s ideas seriously.
The problem is that many of the ideas that the book promotes are anything but fact, and they go directly to the heart of the Catholic faith. For example, the book promotes these ideas:

• Jesus is no God; he was only a man.
• Jesus was married to Mary Magdalene.
• She is to be worshiped as a goddess.
• Jesus got her pregnant, and the two had a daughter.
• That daughter gave rise to a prominent family line that is still present in Europe today.
• The Bible was put together by a pagan Roman emperor.
• Jesus was viewed as a man and not as God until the fourth century, when he was deified by the emperor Constantine.
• The Gospels have been edited to support the claims of later Christians.
• In the original Gospels, Mary Magdalene rather than Peter was directed to establish the Church.
• There is a secret society known as the Priory of Sion that still worships Mary Magdalene as a goddess and is trying to keep the truth alive.
• The Catholic Church is aware of all this and has been fighting for centuries to keep it suppressed. It often has committed murder to do so.
• The Catholic Church is willing to and often has assassinated the descendents of Christ to keep his bloodline from growing.

Catholics should be concerned about the book because it not only misrepresents their Church as a murderous institution but also implies that the Christian faith itself is utterly false.

Should other Christians be concerned about the book?

Definitely. Only some of the offensive claims of The Da Vinci Code pertain directly to the Catholic Church. The remainder strike at the Christian faith itself. If the book’s claims were true, then all forms of Christianity would be false (except perhaps for Gnostic/feminist versions focusing on Mary Magdalene instead of Jesus).

Who is the author of the book?

The author is Dan Brown. He is a former English teacher who has authored three previous books. The first two, Digital Fortress and Deception Point, were technothrillers. With his third novel, Angels & Demons, he turned to writing thrillers involving religion and the Vatican. The Da Vinci Code continues in that vein, and it was popular enough to revive sales of the previous books (which had lacklustre performance) and pull them onto the bestseller list.
Brown plans to use The Da Vinci Code as the springboard for a new series of similar books using its hero, Robert Langdon, and which will be “set in Paris, London, and Washington D.C.”2 In the next novel, “Langdon will find himself embroiled in a mystery on U.S. soil. This new novel explores the hidden history of our nation’s capital.”3

What is the author’s religious background?

He claims to be a Christian – of a sort. A “Frequently Asked Questions” page on his website contains the following exchange:

ARE YOU CHRISTIAN?
I am, although perhaps not in the most traditional sense of the word. If you ask three people what it means to be Christian, you will get three different answers. Some fell being baptized is sufficient. Others feel you must accept the Bible as immutable historical fact. Still others require a belief that all those who do not accept Christ as their personal saviour are doomed to hell. Faith is a continuum, and we each fall on that line where we may. By attempting to rigidly classify ethereal concepts like faith, we end up debating semantics to the point where we entirely miss the obvious – that is, that we are all trying to decipher life’s big mysteries, and we’re each following our own paths of enlightenment. I consider myself a student of many religions. The more I learn, the more questions I have. For me, the spiritual quest will be a life-long work in progess.4

What is a “symbologist”?

According to Webster’s Dictionary, a symbologist is “one who practices, or who is versed in, symbology”, the latter being defined as “the art of expressing by symbols.” Needless to say, this is not a common term. Brown uses the term not just to refer to a person who has studied symbolism but as the name of a pseudo-academic disciple.

What claims does the book make about
the research that was done for it?

On the acknowledgements page of the novel, Brown issues extensive thanks designed to convey the impression that he has done thorough research:

For their generous assistance in the research of this book, I would like to acknowledge the Louvre Museum, the French Ministry of Culture, Project Gutenberg, Bibliothèque Nationale, the Gnostic Society Library, the Department of Paintings Study and Documentation Service at the Louvre, Catholic World News, Royal Observatory Greenwich, London Record Society, the Muniment Collection at Westminster Abbey, John Pike and the Federation of American Scientists, and the five members of Opus Dei (three active, two former) who recounted their stories, both positive and negative, regarding their experiences inside Opus Dei.

He also thanks a bookstore for “tracking down so many of my research books” as well as a long list of specific individuals.
The acknowledgements of museums, libraries, and similar institutions may mean simply that he used their facilities and that they did nothing special to assist his research. For example, Project Gutenberg is an online library of public domain texts, and Brown’s “acknowledgement” may signify no more than that he looked at a text on one of the Project Gutenberg web sites.
This, in fact, appears to be the case regarding his acknowledgement of Catholic World News. When contacted by Catholic Answers, the editor of Catholic World News, Phil Lawler, stated:

“We were surprised and bemused to learn that Catholic World News had been listed in the acknowledgments of this book.
We cannot recall any contact whatsoever with Dan Brown. He is not listed among our past or present subscribers.
Since many of our stories are free and available to anyone who visits our website, it is possible that he received some information from Catholic World News – just as anyone can receive information from any public news service. Certainly we never did any research for him or answered any questions from him.”

What are the major sources inspiring the book?

The author’s web page (http://www.danbrown.com) lists a partial bibliography for the book, including titles such as:

Holy Blood, Holy Grail by Michael Baigent, Richard Leigh, and Henry Lincoln

The Messianic Legacy by Michael Baigent, Richard Leigh, and Henry Lincoln

The Dead Sea Scrolls Deception by Michael Baigent and Henry Lincoln

The Goddess in the Gospels: Reclaiming the Sacred Feminine by Margaret Starbird

The Woman with the Alabaster Jar: Mary Magdalene and the Holy Grail by Margaret Starbird

The Templar Revelation: Secret Guardians of the True Identity of Christ by Lynn Picknett and Clive Prince

Jesus and the Lost Goddess: The Secret Teachings of the Original Christians by Timothy Freke and Peter Gandy

When God Was a Woman by Merlin Stone

The Chalice and the Blade: Our History, Our Future by Riane Eisler

These titles represent works of New Age speculation that run counter to established history, focus on alleged secret societies and conspiracy theories, attempt to reinterpret the Christian faith, and are imbued with radical feminist agendas. Historians and religious scholars do not take these works seriously.
The author of The Da Vici Code does take them seriously. As the list reveals, he is particularly dependent on the works by Margaret Starbird and the trio of authors Michael Baigent, Richard Leigh, and Henry Lincoln. An additional, particularly important source for Brown is the book The Templar Revelation.

Who is Margaret Starbird?

Her website describes her as a “Roman Catholic scholar” whose researches alerted her to “an underground stream of esoteric devotees of the ‘sacred feminine’ incarnate in Mary Magdalene.” Afterwards, while still purporting to be Catholic, she began publishing books extolling “the ‘Sacred Union’ of Jesus and Mary Magdalene.”
According to her website:

• “Starbird’s research traces the origin and extent of the heresy of the Holy Grail, whose medieval adherents believed that Jesus was married and that his wife and child emigrated to Gaul, fleeing persecutions of the infant Christian community in Jerusalem.”
• “Starbird’s new book explodes the myth of the celibate Jesus, revealing truths encoded in symbolic numbers in the Gospels themselves by the authors of the Greek New Testament. This book demonstrates unequivocally that the ‘Sacred Union’ of Jesus and his Lost Bride was the true cornerstone of early Christianity.”
• “Starbird’s latest book explains how the painful situation in the Roman Catholic priesthood has roots in systematic denial of the ‘Bride’ as partner and in the insistence on a celibate Jesus, encouraging worship of its feminine partner.”
• “Early Christianity was fundamentally egalitarian but later influences conspired to curtail the role of women in the Church. This text seeks to reclaim the gender-balanced Christianity implicit in the Gospels.”
• “Her inevitable conclusion is that ‘sacred union’ was originally at the very heart of the Christian Gospels.5

Who are Baigent, Leith, and Lincoln?

They are the authors of the book Holy Blood, Holy Grail, which in 1982 popularized in the English-speaking world the idea that Jesus was married to Mary Magdalene and that his bloodline survives in Europe today under the protectorship of an organization known as the Prieure d’Sion (“the Priory of Sion” in The Da Vici Code). Authors Carl Olson and Sandra Miesel note:

So fundamental is this book to The Da Vici Code that Dan Brown borrowed two of the authors’ names for his character Leith Teabing (whose surname is an anagram of Baigent). Both Baigent and Lincoln are Masonic historians while Leigh is a fiction writer…
Brown borrows the Holy Blood, Holy Grail thesis with both hands. His fictional Priory likewise guards the “Grail Secret” of the Holy Blood – with documents to prove it – as well as the precious bones of the Magdalen.6

After the success of Holy Blood, Holy Grail, the trio went on to author the book Messianic Legacy, which continued the themes of their prior work but with modifications. Subsequently the authors have produces a number of other books related to themes developed in The Da Vinci Code.

What is The Templar Revelation?

This is yet another iconoclastic New Age book. In the words of one reviewer, L. D. Meagher, the book attempts to convince you that:

Everything you know about Christianity is wrong. The Nativity is a myth, the ministry of Jesus has been misrepresented, and the Crucifixion may have been a publicity stunt that went awry. The truth has been purposely suppressed for two millennia by men who were bent on promoting their own agenda, beginning with early church leaders including the apostles Peter and Paul. Who says so? The same people who claim the Shroud of Turin is a photograph of Leonardo da Vinci.7

That is correct. In their prior book, Turin Shroud: In Whose Image?, Lynn Picknett and Clive Prince maintain that the Shroud of Turin is a fake made with a primitive photographic process developed by Leonardo da Vinci and used to record his own image on cloth. Now they’re back with a new book that picks up where their prior one left off:

Their research into the shroud convinced them that Leonardo was a leading member of a mysterious society called the Prior of Sion. They believe the Priory arose in the Middle Ages alongside another secret order, the Knights Templar. Unlike the Templars, however, Picknett and Prince claim the Priory of Sion is alive and well and carefully manipulating events today.8

As one might suspect, the work is far from scholarly. Meagher characterizes the authors’ way of evaluating evidence as follows:

That which seems to have neither merit nor meaning must be both true and vitally important. Armed with this upside-down viewpoint, Picknett and Prince plunge into an investigation of the shadow world of heresy and occultism….
Nothing in The Templar Revelation rises to anything like the level of “definite proof.” Instead, its conclusions are based on the flimsiest of premises, which are supported by the slimmest of indirect and circumstantial evidence or, just as often, by the assertion that the lack of evidence justifies their conclusions.
In the end, Picknett and Prince propose that a murky conspiracy has been at work for nearly 2.000 years. Two conspiracies in fact: one, involving all denominations of the Christian faith and spearheaded by the Vatican, suppresses the truth while the other, stage-managed by the Priory of Sion, hides it.9

It is upon The Templar Revelation that Dan Brown, author of The Da Vici Code, is largely dependent for his claims regarding Leonardo da Vinci.

WHAT THE DA VINCI CODE CLAIMS

What specific claims does the book make on its “fact” page?

The “fact” page asserts factuality for certain claims regarding the Priory of Sion, Opus Dei (a major focus of the book), and the descriptions found in the book of art, architecture, and rituals.
Although the “fact” page presents the book’s most overt claims to accuracy, the novel itself implies that much more is factual than what is stated on this page. The book is written in a way that suggests that its claims regarding the Priory of Sion, the Catholic Church, and Christ are to be taken seriously. The author’s own remarks outside of the book suggest the same. On his personal web page, he speaks of the historical “secret” he reveals in The Da Vici Code and states:

The secret I reveal is one that has been whispered for centuries. It is not my own. Admittedly, this may be the first time the secret has been unveiled within the format of a popular thriller, but the information is anything but new.10

What does the book claim regarding the Priory of Sion?

According to the “fact” page, the Priory of Sion – a European secret society founded in 1099 – is a real organization. In 1975, Paris’s Bibliothèque Nationale discovered parchments known as Les Dossiers Secretes, identifying numerous members of the Priory of Sion, including Sir Isaac Newtown, Botticelly, Victor Hugo, and Leonardo da Vinci.
The novel goes on to depict the Priory of Sion as a secret society defending the bloodline of Jesus Christ and Mary Magdalene. Because it allegedly holds the secret of his bloodline, it is persecuted by the Catholic Church. The organization also is devoted to worshiping “the sacred feminine” and holds orgies as a form of ritual worship.

What were Les Dossiers Secretes?

They are a group of documents found in the Bibliothèque Nationale that ostensibly established the historical pedigree of the Priory of Sion secret society. The documents were popularized in the 1970s and formed the basis of the books Holy Blood, Holy Grail, The Messianic Legacy, and, later, The Da Vici Code. The documents were created by a group headed by a convicted confidence trickster named Pierre Plantard.
Though The Da Vici Code continues to regard the documents as authentic, many other writers of esoteric “history” have acknowledged that they are fakes. Even the authors of Holy Blood, Holy Grail and The Messianic Legacy later came to question them. Authors Carl Olson and Sandra Miesel note:

The Messianic Legacy recounts much hugger-mugger about missing documentation and forged signatures until Baigent and company begin to doubt Plantard’s candor. Well they should have, because the dossiers give every appearance of having been “salted” into the library with pseudonymous by-lines and falsified publication dates. The process somewhat resembles recent cases of people inserting spurious information about works of art into existing library catalogues to create a false pedigree for their merchandise.

Dan Brown’s other major source of esoteric ideas, The Templar Revelation, dismisses the dossiers as fabrications.11

What is the real story on the Priory of Sion?

The Priory of Sion was a club founded in 1956 by four young Frenchmen. Two of its members were André Bonhomme (who was president of the club when it was founded) and Pierre Plantard (who previously had been sentenced to six months in prison for fraud and embezzlement).
The group’s name is based on a local mountain in France (Col du Mont Sion), not Mount Zion in Jerusalem. It has no connections with the Crusaders, the Templars, or previous movements incorporating “Sion” into their names.
The organization broke up after a short time, but in later years Pierre Plantard revived it, claimed he was the “grand master” or leader of the organization, and began making outrageous claims regarding its antiquity, prior membership, and true purposes. It was he who claimed that the organization stemmed from the Crusades, he (in conjunction with later associates) who composed and salted Les Dossiers Secretes in the Bibliothèque Nationale, and he who created the story that the organization was guarding a secret royal bloodline that could one day return to political power.

What evidence is there that this is the history of the Priory?

After Plantard’s claims regarding the Priory came to public attention, his former associates contradicted him. In a 1996 statement made to the BBC by the Priory of Sion’s original president, André Bonhomme stated:

The Priory of Sion doesn’t exist anymore. We were never involved in any activities of a political nature. It was four friends who came together to have fun. We called ourselves the Priory of Sion because there was a mountain by the same name close-by. I haven’t seen Pierre Plantard in over twenty years and I don’t know what he’s up to but he always had a great imagination. I don’t know why people try to make such a big thing out of nothing.12

The BBC itself concluded:

There’s no evidence for a Priory of Sion until the 1950’s; to find it, you go to the little town of St Julien. Under French law every new club or association must register itself with the authorities, and that’s why there’s a dossier here showing that a Priory of Sion filed the proper forms in 1956. According to a founding member, this eccentric association took its name not from Jerusalem but from a nearby mountain (Col du Mont Sion, alt. 786m).

The dossier also notes that the Priory’s self-styled grand master, Pierre Plantard, who is central to this story, has done time in jail.13
For an extensive chronology of the events surrounding Pierre Plantard, the Priory of Sion, and eventual demise, see the online materials assembled by researcher Paul Smith at:
http://www.priory-of-sion.com

What evidence is there that Pierre Plantard was a confidence trickster?

Paul Smith notes:

Pierre Plantard was sentenced on 17 December, 1953, by the court of St Julien-en-Genevois to six months in prison for breaking the French law relating to “Abus de Confiance” (fraud and embezzlement).

The evidence for this is found in 1956 to the sub-prefect of St Julien-en-Genevois, which can be found in the file that contains the 1956 statutes of the Priory of Sion and the 1956 registration documents of the Priory of Sion:
“In our archives we have a note from the I.N.S.S.E dated 15 December 1954 advising us that Monsieur Pierre Plantard was sentenced on 17 December 1953 by the court in St Julien-en-Genevois to six months imprisonment for a ‘breach of trust’ under articles 406 and 408 of the Penal Code.”14

In the 1980s, Plantard asserted that he had spent a number of years in retirement from the Priory of Sion, during which time a man named Roger-Patrice Pelat had served as its grand master. Following the death of Pelat, Plantard claimed to have regained his position as Priory grand master.
Pelat, however, had been involved in a corruption scandal, and Plantard eventually became involved in the investigation of this scandal by the French courts. Paul Smith explains:

“When Judge Thierry Jean-Pierre became the presiding French judge heading the enquiry into the Patrice Pelat financial corruption scandal of the 1980s, Plantard voluntarily came forward during the 1990s offering evidence to the enquiry, claiming that Pelat had been a “Grand Master of the Priory of Sion”. The judge ordered a search of Plantard’s house, which uncovered a hoard of Priory of Sion documents, claiming Plantard to be the “true King of France.” The judge subsequently detained Plantard for a forty-eight hour interview and, after asking Plantard to swear on oath, Plantard admitted that he made everything up; whereupon Plantard was given a serious warning and advised not to “play games” with the French judicial system. This happened in September 1993, and it was all reported in the French press of the period. This was the reason for the final termination of the Priory of Sion in 1993.”15

Pierre Plantard died in 2002.

How does the Priory of Sion presented in The Da Vinci Code compare with the Priory of Sion co-founded by Plantard?

Olson and Miesel note that, in order to suit his own agenda of promoting worship of “the Sacred Faminine,” Brown adapted the Priory of Sion as presented in Holy Blood, Holy Grail and similar works:

Spurious documents, interviews, and admiring books [concerning the actual Priory] multiplied. List of famous grand masters were produced. Goddess-worship, however, was not part of the agenda, unlike Brown’s version of the Priory. In 1975, Plantard began calling himself “Plantard de St Clair” to pretend a connection with a noble Scottish family involved with Freemasonry who’d built the strange Chapel of Rosslyn near Edinburgh. (This is why The Da Vinci Code claims the blood of Christ survived most directly in the Plantard and St Clair families [260, 442].)16

Despite The Da Vinci Code’s indirect acknowledgement of Plantard, the secret society at the core of the book remains a product of the fevered imagination of a convicted con man. Olson and Miesel conclude:

Although the false history of the Priory has been repeatedly exposed in France and on the BBC in 1996, not to mention tireless debunking by researcher Paul Smith since at least 1985, Dan Brown wants his readers to think it’s real and that its preposterous claims are genuine. The commercial need to feed the public’s taste for conspiracy clearly is trumping truth.17

What does The Da Vinci Code claim regarding Opus Dei?

According to the “fact” page:

“The Vatican prelature known as Opus Dei is a deeply devout Catholic sect that has been the topic of recent controversy due to reports of brainwashing, coercion, and a dangerous practice known as “corporal mortification”. Opus Dei has just completed construction of a $47 million National Headquarters at 243 Lexington Avenue in New York City.”

The novel goes on to describe Opus Dei as a “Catholic Church” and portrays it as an order of monks with members serving as assassins, one of whom (a “hulking albino” named Silas) is a key character in the book.

What is Opus Dei?

Opus Dei is an organisation of the Catholic Church. The name is Latin, and means “Work of God”. It was started in 1928 in Spain by Fr Josemaria Escriva (1902-1975), who was canonized as a saint in 2002. Its mission is to promote holiness among lay people in their daily lives. John Paul II referred to St Josemaria Escriva as “the saint of ordinary life”.
In 1950 Opus Dei was designated as a secular institute of pontifical right, and in 1982 it was designated as a personal prelature of the Catholic Church. In Church law, prelature is an organization that coordinates the ecclesiastical activities of the people associated with it. Prelatures can be territorial, coordinating members in a particular territory, or personal, coordinating members regardless of the territory in which they live.
Opus Dei is established in five continents, or 65 countries. There are 85.000 members; over half of them are women. There are members of all ages and backgrounds. Most of them are married. There are around 48.000 members in Europe (500 of them in Britain) and 29.000 in the American continent (about 3.000 in the USA).

How does the real-world Opus Dei compare to the one in The Da Vinci Code?

There is a large number of inaccuracies in the picture of Opus Dei painted by the novel. Many of these betray a basic lack of familiarity with Opus Dei. For example:

• Opus Dei is not “a Catholic sect.” It also is not “a Catholic Church.” It is an organization ministering to the spiritual lives of its members within the Catholic Church.
• Members are described as being dressed with habits like monks. In fact they dress like ordinary lay people. There are no monks in Opus Dei.
• Centres of Opus Dei are pictured as monasteries, with members in their cells praying all day. In fact members of Opus Dei, whether single or married, are ordinary lay people who work in the midst of the world in commonplace jobs.
• Opus Dei’s headquarters is presented as being in New York. In fact it is in Rome.
• Opus Dei is described as a “personal prelature of the Pope”. This is misleading. Opus Dei is a personal prelature of the Catholic Church. The term “personal” does not mean that Opus Dei belongs personally to the Pope or anyone else, but refers to the type of prelature that it is, as distinct from a “territorial” prelature.

Other inaccuracies are offensive and deliberate attempts to portray the organization in a sinister light:

• Opus Dei is portrayed as employing assassins such as the character Silas in its efforts to retain power and enforce secrecy.
• The description of Opus Dei’s “practices” of corporal mortification, as represented by the bloody purging rituals of Silas, are at best grossly distorted and at worst fabrications.
• The description of the obviously diseased thought processes of one of the characters in the novel, Silas, is presented as a consequence of having been “brainwashed” in Opus Dei.
• It is presented as a matter of fact that Opus Dei entered a financial bargain with Pope John Paul II – bailing out the Vatican Bank in exchange for status as a personal prelature. This never occurred.

The level of malice displayed by Dan Brown in using Opus Dei in this manner is pointed out by Mr Andrew Soane, director of the Opus Dei Information Office in the U.K., who notes:

“The author of the ‘Da Vinci Code’ need not have included Opus Dei in his book. He could have invented a sinister organization for his purposes. Perhaps he wanted to give the illusion of realism to the story. This is a trend that has been continued in the promotion of the book, so it is hard to accept the defence ‘it is only fiction’ at face value”.

What is corporal mortification?

Corporal mortification is a form of physical discipline intended to help one learn self-control and grow spiritually. It is one of the traditional expressions of the Christians ascetic life, alongside prayer, good works, fasting (Matt 6). In fact, fasting is a form of mortification. There are other forms as well, such as wearing sackcloth (as in the Bible; cf. Gen 37:34) or walking barefoot in some traditional pilgrimage locations such as Lough Derg (Ireland).
Authentic Catholic spirituality does not approve of forms of mortification that lead to permanent bodily injury, and sound spiritual direction is important for those who wish to undertake significant forms of corporal mortification.

Has Opus Dei responded to the publisher of The Da Vinci Code regarding its misrepresentation in the book?

It has. Shortly before the book was published Opus Dei sent a letter of protest to the publisher. The letter explained that: “the basic activity of the prelature of Opus Dei is giving spiritual guidance to help them live the Gospel in their daily lives. In October 2002, Pope John Paul II canonised Opus Dei’s founder, St Josemaria Escriva, before several hundred thousand people, just a fraction of those who have benefited from Opus Dei’s spiritual formation.”
Whether the organization will take legal action against the publisher remains to be seen.

What does The Da Vinci Code claim regarding the origin of the Bible?

The book states: “The Bible is a product of man, my dear. Not of God… The Bible, as we know it today, was collated by the pagan Roman emperor Constantine the Great”.
This is false. The process by which the Bible formed was one that took time; it was not collated at any one time. Nor did Constantine have anything to do with the process, either before or after he converted to Christianity.

What evidence is there that the Bible formed independently of Constantine?

The Old Testament canon had been forming for centuries. Jesus and the apostles already recognized the authority of the Old Testament writings that existed in their time, as illustrated by the following verses:

“And beginning with Moses and all the prophets, he interpreted to them in all the scriptures the things concerning himself” (Luke 24:27).

“You search the scriptures, because you think that in them you have eternal life; and it is they that bear witness to me” (John 5:39).

“And Paul went in, as was his custom, and for three weeks he argued with them from the scriptures, explaining and proving that it was necessary for the Christ to suffer and to rise from the dead” (Acts 17:2-3).

“From infancy you have known the holy Scriptures, which are able to make you wise for salvation through faith in Christ Jesus” (2 Tim 3:15, NIV).

In the first century the apostles and their associates wrote the books of the New Testament, which were passed down to succeeding generations of Christians and read in the churches. In the second and third centuries, Gnostic heretics began to manufacture writings that falsely claimed to be from the apostles, but since they had not been passed down in the churches from the beginning, they were rejected. In response to these new, false writings the churches drew up lists of the authentic books that had been handed down from the apostles. A famous list of the sacred writings from the mid-second century is known as the Muratorian Canon.
The process by which the canon of Scripture was formed was largely complete by the time of Constantine (the early fourth century), and he made no contribution to it. There were a few Old Testament books (known today as the deuterocanonical books or “apocrypha”) that continued to be discussed after Constantine’s time, into the late fourth century – further illustrating that he did not collate the Bible. No Bible scholar holds that Constantine played such a role in the development of Scripture. Dan Brown is simply wrong.
To view some of the early lists of the books of the Bible, see “The Old Testament Canon” at:

http://www.catholic.com/library/Old_Testament_Canon.asp

What does The Da Vinci Code claim regarding the early Church’s recognition of Christ’s divinity?

Referring to the First Council of Nicaea, which took place in A.D. 325, The Da Vinci Code states:

Until that moment in history, Jesus was viewed by His followers as a mortal prophet… a great and powerful man, but a man nonetheless. A mortal… By officially endorsing Jesus as the Son of God, Constantine turned Jesus into a deity.18

It is true that Constantine, following his conversion to Christ, presided over the First Council of Nicaea, but it is not true that Constantine “turned Jesus into a deity” or that Christians had not viewed Jesus as God prior to this event.
Constantine had called the Council together to settle a dispute that had arisen when a priest from Egypt named Arius began to deny that Jesus was God, causing a scandal by repudiating the faith of Christians everywhere. Arius gained a number of followers (known as Arians) and the controversy between the Arians and traditional Christians grew so sharp that the emperor called the Council to settle the matter. Personally, Constantine tended to support the position of the Arians, but he recognized the authority of the bishops in articulating the Christian faith, and the bishops of the Council reaffirmed the traditional Christian teaching that Jesus was fully divine. It was thus the bishops of the Council of Nicaea who reaffirmed the historic Christian position against Arius and his followers. Constantine recognized their authority to do so in spite of the fact he would have preferred a different outcome.

What evidence is there that Christians regarded Christ as God before the Council of Nicaea?

Christ’s divinity is stressed repeatedly in the New Testament. For example, we are told that Jesus’ opponents sought to kill him because he “called God his Father, making himself equal with God” (John 5:18).
When quizzed about how he has special knowledge of Abraham, Jesus replies, “Truly, truly, I say to you, before Abraham was, I am” (John 8:59), invoking and applying to himself the personal name of God –“I Am” (Ex 3:14). His audience understood exactly what he was claiming about himself. “So they took up stones to throw at him; but Jesus hid himself, and went out of the temple” (John 8:59)
In John 20:28, Thomas falls at Jesus’ feet, exclaiming, “My Lord and my God!” And Paul tell us that Jesus chose to be born in humble, human form even though he could have remained in equal glory with the Father, for he was “in the form of God” (Phil 2:6).
No serious scholar asserts that these texts (and is just a selection) post-date the Council of Nicaea.

The Da Vinci Code asserts that the canon of Scripture was altered at the order of Constantine to support his new doctrine. How do you answer this?

Brown is asserting in order to deny the evidence that exists against his position. He cannot back this claim up, for there is no evidence for it whatsoever. No Scripture scholar – Christian or non-Christian – supports this position. There is a number of reasons for this, some of which we will see below, but one reason is that the writings of the Church Fathers (and even non-Christians historians) before the time of Constantine show that Christians regarded Jesus as God.
Consider the following quotations, all of which predate the Council of Nicaea:

Ignatius of Antioch: “For our God, Jesus Christ, was conceived by Mary in accord with God’s plan: of the seed of David, it is true, but also the Holy Spirit” (Letter to the Ephesians 18:2 [A.D.110]).

Tatian the Syrian: “We are not playing the fool, you Greeks, nor do we talk nonsense, when we report that God was born in the form of a man” (Address to the Greeks 21 [A.D. 170]).

Clement of Alexandria: “The Word, then, the Christ, is the cause both of our ancient beginning – for he was in God – and of our well-being. And now this same Word has appeared as man. He alone is both God and man, and the source of all our good things” (Exhortation to the Greeks 1:7:1 [A.D. 225]).

Tertullian: “God alone is without sin. The only man who is without sin is Christ; for Christ is also God” (The Soul 41:3 [A.D. 210]).

Origen: “Although he was God, he took flesh; and having been made man, he remained what he was: God” (The Fundamental Doctrines 1:0:4 [A.D. 225]).

For more quotations illustrating the same point, see:
http://www.catholic.com/library/Divinity_of_Christ.asp

What does The Da Vinci Code claim regarding Jesus’ relationship to Mary Magdalene?

The book claims that the two were married. In fact, it claims that Jesus got Mary Magdalene pregnant, and the tow had a daughter. The book states:

Mary Magdalene was pregnant at the time of the crucifixion. For the safety of Christ’s unborn child, she had no choice but to flee the Holy Land… It was there in France that she gave birth to a daughter. Her name was Sarah.19

Later the book claims that this union gave rise to a bloodline that still exists in prominent European families (including one of the book’s main characters, Sophie Neveu). It also claims that the Catholic Church knows about this and has covered it up for centuries, even resorting to murdering Christ’s own descendants to protect the secret:

Behold… the greatest cover-up in human history. Not only was Jesus Christ married, but He was a father…

The early Church feared that if the lineage were permitted to grow, the secret of Jesus and Magadalene would eventually surface and challenge the fundamental Catholic doctrine-that of a divine Messiah who did not consort with women or engage in sexual union… Many of the Vatican’s Grail quests here were in fact stealth missions to erase members of the royal bloodline.20

How do you respond to these claims?

In the first place they are ridiculous. However, it is also irresponsible and offensive for Brown to impugn the faith of countless Catholics in this fashion. He has no solid evidence to support these contentions.
A comparable suggestion would be saying that Lutherans have been murdering the descendants of Luther or that Jewish leaders have been murdering the descendants of Moses. If such charges were made, particularly with no evidence, they would be regarded instantly as absurd certainly, but also out of order, as is claiming that Catholic have been killing the descendants of their God.

What is one to make of The Da Vinci Code’s specific claim that Jesus was married to Mary Magadalene?

It is impossible to take this claim seriously.
The reason that Brown and a handful of others (chiefly New Age authors) have tried to identify Mary Magadalene as the wife of Jesus is obvious: She is one of the few women disciplines of Christ who is prominent, whose name we know, and whom we don’t know was married to someone else. Other female disciples of Jesus are known to be married to others (e.g. Joanna the wife of Chuza [Luke 8:3]) or are too insignificant (“the other Mary” [Matt 28:1]) or we don’t know their names (the Syro-Phoenecian woman [Matt 15:28]). If one wants to force Jesus into the role of being married, Mary Magdalene is one of the few prominent and (seemingly) available women to be pushed into the role of being his wife.
Furthermore, there is nothing in the New Testament that states or implies that Jesus was married to Mary Magadalene. According to the New Testament, Mary of Magdala was a devout follower of Christ and one of the first witnesses of his Resurrection (cf. Matt 28:1), but not his wife. There is no evidence in the New Testament or the writings of the Church Fathers that she was married to Jesus.
Jesus also said things that indicated that he wasn’t married to anyone. He explained that some voluntarily refrain from marrying in order to be fully consecrated to God. He says that they “have made themselves eunuchs for the kingdom of heaven’s sake” (Matt 19:12). He portrays voluntary abstention from marriage as the highest form of consecration, and as the spiritual leader of the Christian movement, it would be strange for him to hold up such a standard if he himself did not meet it.
Moreover, the early Church was unanimous in regarding Jesus as unmarried. This is not a later doctrine of the Church Fathers but something found in the New Testament itself. The authors of the New Testament regularly depict the Church as “the bride of Christ” (2 Cor 11:12; Eph 5:21-33; cf. Rev 21:9-10). This metaphor would never have developed if a flesh-and-blood “Mrs Jesus” was living just down the street. Only if Christ was celibate would the Church have come to be depicted metaphorically as his bride.
Finally, as Darrel Bock points out in Christianity Today, January 2004, if Jesus had married Mary Magdalene or anyone else, such information would have been included by St Paul when appealed to the fact that Peter and various other apostles had wives when they received material help from the churches (1 Cor 9:5). In supporting his right to receive such help, Paul would have wanted to appeal to an even more convincing example, Jesus, if it were available.21

What does Brown claim regarding Mary Magdalene’s role in the early Church?

Brown asserts that in the original Gospels, Mary Magadalene rather than Peter was directed to establish the Church:

According to these unaltered gospels, it was not Peter to whom Christ gave directions with which to establish the Christian Church. It was Mary Magdalene… Jesus was the original feminist.22

Again, there is no basis for this claim. None of the early manuscripts of the Gospels nor any of the quotations of the Gospels in the writings of the early Church Fathers suggest that anything of the kind was said at any stage in the history of the Gospels. Brown’s assertion that “Jesus was the original feminist” is simply pandering to modern secular sensibilities. It in no way represents the historical evidence that exist.
Appealing to prior “unaltered” gospels that had no been doctored by Constantine or others in the early Church is fatuous. There is no evidence that Constantine ordered any copies of Scripture to be changed. If one wishes to claim that he did give such an order, one should be able to back it up with a citation from a contemporary source, but no such passage can be found. None of the surviving records of the period – or even the records of later centuries – record Constantine or any one else attempting to alter the texts of the existing canon to change this or any other doctrine. Brown simply has no evidence to back up his claim.
If Constantine or any one else had tried to change Scripture, Christians would have refused. The Christian Church had just come through an age of persecution in which Christians had been burned at the stake for refusing to deny their Lord and the Scriptures he gave them. To allow those writings to be mutilated would have resulted in an enormous controversy that would be mentioned in the writings of the period.
It would have been a practical impossibility to change Scripture, because thousands of copies were in existence all across the Mediterranean world, from Europe to North Africa. There was no way to track them down and edit them. There were simply too many copies floating in circulation.
But even if all of the copies then known to exist had been tracked down and altered, this would not have affected the copies of Scripture that by this time already had been lost. Many of the early manuscripts of Scripture that we now have were waiting, lost, in the desert until their discovery by modern archaeology. But when we look at these copies, they teach the same doctrines as later copies and show no evidence of having seen censored.
Moreover, the writings of the early Church Fathers from before the time of Constantine show the same teachings and quote the Gospels as saying the same things as in the canonical Gospels.

What does The Da Vinci Code claim regarding Leonardo Da Vinci and his “Last Supper”?

The book claims that Leonardo Da Vinci was a member of a secret organization (The Priory of Sion) that understood the “real” history between Jesus and Mary Magdalene –that they were married and had children.
According to the book, in “The Last Supper” he put a coded message: the letter “V” in the painting to Jesus’ right, where supposedly John, the beloved disciple and one of the twelve apostles, in sitting. This is a long-haired feminine looking figure. So, it is said, Da Vinci has secretly painted Mary Magdalene into this spot because “V” is the sign of the feminine. Moreover, the absence of a chalice in the composition indicates that the Holy Grail is Mary Magdalene herself.
However, as Elizabeth Lev (Professor of Christian Art and Architecture at Duquesne University’s Rome Campus) explains in Zenit, February 2004, Leonardo Da Vinci held that each person should be painted according to his station and age. “A wise man has certain characteristics, and old women others, and children others still.”
In “The Last Supper”, therefore, she continues: “John has been painted in the image of a student, youthful, long-haired and clean-shaven, the idea being that he has not yet matured to the point where he must find his own way”.
Throughout the Renaissance artists portrayed St John in this fashion. Other examples can be found in the “Last Suppers” of Ghirlandaio and Andrea del Castagno.
So what did Leonardo Da Vinci really intend to convey with his composition? Elizabeth Lev explains:

“He selects the most dramatic moment of the meal, when Jesus has just made the announcement, “One of you will betray me” (John 13:21). The composition accordingly registers the shockwave that emanates from this statement.
“Instead of the typical eleven apostles on the far side of the table and Judas on the side closest to the viewer, Leonardo places them all on the same side, so there is no ripple effect from the isolated Christ framed by a window out toward the apostles who are grouped into threes. The most important set comprises Peter, John and Judas. Peter impetuously thrusts himself towards John, asking him to inquire of Jesus who the betrayer will be (John 13:23-24); in doing so, he pushes Judas outward toward the viewer. “The original image (it has been heavily repainted) had Judas’ head turned directly toward John, whose serene countenance manifests the assurance of his own innocence. The low forehead, and dark, brutish features of the traitor Judas stand in sharp contrast to the luminous delicacy of John. The viewer is forced to think about where he or she stands (or sits) in this picture. Are we calm in certainty of fidelity, do we protest too much, or do we hide in the shadows?
“Unfortunately, all these truly important questions are overshadowed by the silly speculations of Dan Brown. One thing is clear: during the real Last Supper, Mary Magdalene was elsevhere.”23

Miscellaneous inaccuracies

The plot of the Da Vinci Code shifts between Paris and London, and finally moves to Rosslyn Chapel, near Edinburgh. The book has launched an entire tourist industry as people from around the world visit the places where the action takes place. In fact the descriptions and the associated histories contain their fair share of inaccuracies. Here are some of them:

The book: St Sulpice Church in Paris was once home to the Priory of Sion, a fact supported by the letters ‘P’ and ‘S’ inscribed on its windows.
The truth: The letters on the window stand for Saints Peter and Sulpice.

The book: After burning members of the Knights Templar, Pope Clement V threw their ashes into the Tiber.
The truth: The Tiber is in Rome. Pope Clement was based in Avignon and never visited Rome.

The book: Temple Church in London contains ten stone tomb-like carvings.
The truth: There are only nine carved knights.

The book: The centre of Opus Dei at 5 Orme Court, in Bayswater, overlooks Kensington Gardens.
The truth: The centre, which is as 4 Orme Court, is tucked away fifty yards down a narrow side street, with a five storey building standing between it and Kensigton Gardens.

In the rather stereotyped England of The Da Vinci Code, someone in Scotland Yard answers the phone with “This is the London Police”, and visitors to Westminster Abbey can carry out brass rubbings on the ancient tombs of poets corner (which they can’t), and security guards back off when a knight of the realm flashes his “identification card” (although no such thing exists). Finally, the Research Institute in Systematic Theology, Kings College, London, does not have the sort of sophisticated computer search capabilities Brown describes.
As a tourist guide and source of general knowledge the Da Vinci Code is unreliable, just as it has already been shown to be when it touches on the subject of religion.

RESPONDING TO FANS OF THE DA VINCI CODE

How can I help others understand how offensive The Da Vinci Code is?

Point out the offensive claims made by the book, particularly the ones regarding Jesus and early Christianity. Point out that the claims are false-that Brown does not have the evidence to support them. The idea that Jesus had a wife is absurd. One of the major themes of the New Testament is that of the Church as the Bride of Christ. This theme would never have arisen in Christian circles if Jesus had a human wife. It was the fact that he was not married in the ordinary sense that led to the Church being described as his Bride. What Brown is doing amounts to smearing the most important and sacred beliefs of millions of people for the sake of getting his novel on the bestseller list.
To help others understand how offensive these are, encourage fans of the novel to imagine parallel situations involving other religions or groups of people. For example, a major publisher would never produce a novel that portrayed the Jewish faith as perpetrating a murderous, centuries-long, global conspiracy. Such a book would be met immediately with outraged protest and the author and publishers publicly branded as religious bigots. By producing this novel smearing Christianity, Brown and Doubleday have behaved in an anti-Catholic, anti-Christian manner.
There is even a fairly close parallel here: In spinning its conspiracy tale, The Da Vinci Code relies on information provided by documents that are established forgeries: Les Dossiers Secretes. Doubleday’s release of the book is comparable to a major publisher releasing a novel based on anti-Jewish forgeries such as The Protocols of the Elders of Zion. If the publisher would turn down an anti-Jewish conspiracy novel based on these documents, it should do the same with The Da Vinci Code. The fact that it did not do so reveals a double standard at work.

How can I respond to the charge that The Da Vinci Code is “just fiction”?

It isn’t a defense to say that The Da Vinci Code is a work of fiction. Fiction can’t change the basic facts about major historical figures without being subject to criticism. People would be outraged when the basic historical facts about Christ are falsified. The criticism will be even more intense when a publisher releases a book parodying the most sacred beliefs of others in this fashion.
Further, as we have seen in this special report, the book takes great pains to create the appearance of factuality, including placing the infamous “fact” page at the beginning of the novel. Brown has stressed the ostensible accuracy of the book on his website and in interviews. This is not a case where an author and a publisher have produced and ordinary novel. They have gone to great lengths to mislead people into thinking that the novel has a historical basis and is not “just fiction”. They deserve especially sharp criticism for this, and when criticism is made they cannot then hypocritically hide behind “It’s jus fiction” defense.

Where can I go for more information on the subjects treated in The Da Vinci Code?

Several works respond to The Da Vinci Code and the works on which it is based. Many of these are available on the Internet. Others take the form of recently published books and articles.

Books:
Catholic Answers particularly recommends The Da Vinci Code Hoak: Exposing the Errors in The Da Vinci Code by Carl Olson and Sandra Miesel.

Also useful are De-Coding DaVinci: The Facts behind the Fiction of The Da Vinci Code by Amy Welborn and Fact and Fiction in The Da Vinci Code by Steven Kellmeyer.

The preceding books are by Catholic authors, but Evangelical authors also have responded to Brown’s novel. Though their books may contain swipes at Catholicism, they also contain useful information for refuting The Da Vinci Code. Particularly noteworthy on the Evangelical side is the book The Truth behind The Da Vinci Code: A Challenging Response to the Bestselling Novel by Richard Abanes and Breaking The Da Vinci Code: Answers to the Questions Everybody’s Asking by Darrel Bock.

Articles:
Carl Olson has authored or participated in authoring several articles on The Da Vinci Code. He maintains a list of online versions of these articles on his website at http://www.carl-olson.com/abouttdvc.html.

Sandra Miesel has written articles as well, including “Dismantling The Da Vinci Code” (http://www.crisismagazine.com/september2003/feature1.htm).

For a noteworthy piece by Evangelical author Ben Witherington, see “The Da Vinci Code” (Biblical Archaeology Review, May/June 2004)

Internet Sites:
On the Priory of Sion: http://www.priory-of-sion.com/

On the Knights Templar:
http://www.newadvent.org/cathen/14493a.htm

On Opus Dei: http://www.opudei.org/

Dan Brown’s home page:
http://www.danbrown.com/

APPENDIX: Major sources for The Da Vinci Code
As mentioned earlier, the Da Vinci Code is particularly dependent on prior works by Margaret Starbird and the trio of authors Michael Baigent, Richard Leigh, and Henry Lincoln. An additional, particularly important source for Brown is the book The Templar Revelation.

Endnotes

1 http://www.danbrown.com/noves/davinci_code/faqs.html.

2 http://www.danbrown.com/meet_dan/index.html.

3 http://www.danbrown.com/meet_dan/faq.html.

4 http://www.danbrown.com/novels/davinci_code/faqs.html.

5 http://www.telisphere.com/~starbird.

6 Carl Orlson and Sandra Miesel, The Da Vinci Hoax (San Francisco: Ignatius, 2004).

7 L.D. Meagher, “Book Makes ‘X-Files’ Look Like ‘Mr Smith Goes to Washington’”
(http://www.cnn.com/books/reviews/9902/19/templar).

8 Ibid.

9 Ibid.

10 http://www.danbrown.com/novels/davinci_code/faqs.html.

11 Carl Olson and Sandra Miesel, The Da Vinci Hoax. (San Francisco: Ignatius, 2004).

12 André Bonhomme, as quoted in Paul Smith, “The Real Historical Origin of the Priory of Sion” (http://priory-of-sion.com/psp/id43.html).

13 Ibid.

14 Ibid.

15 Paul Smith, “Pierre Plantard, Judge Thierry Jean-Pierre and the End of the Priory of Sion in 1993” (http://priory-of-sion.com/psp/id70.html).

16 Olson and Miesel, The Da Vinci Hoax.

17 Ibid.

18 Dan Brown, The Da Vinci Code (New York: Doubleday, 2003), 233

19 Ibid., 234

20 Ibid., 255

21 Darrell Bock, Christianity Today (Jan 2004), and Craig L Blomberg, Denver Journal (Vol. 7, 2004).

22 Dan Brown, The Da Vinci Code (New York: Doubleday, 2003), 248.

23 Elisabeth Lev, Leonardo’s Real Intention (Zenit News Agency, February 12, 2004).